Fiction
- ‘Glass’ – STORGY, 2018 ; Lotus-eater (Issue 11), 2020 ; Quail Bell Magazine, 2020
- ‘An Abstract Feat’ – Sweet Tree Review (Issue 4:3), 2019
- ‘Untitled’ – Tales from the Moonlit Path, 2020
- ‘NewThink’ – Ouen Press, 2020 (PRINT)* ; Lotus-eater (Issue 12), 2020
- ‘Famine’ – Thinking in Crisis Times, 2021
- ‘Alacrity’ – Derailleur Press (The Rail), 2021
- ‘Third Generation’ – Roi Fanéant Press (Issue 19), 2022 ; The Bookends Review, 2023 ; Eunoia Review, 2023
- ‘Keratinous’ – Avatar Review (Issue 24), 2022
- ‘Peur’ – Avatar Review (Issue 24), 2022
- ‘Decentred’ – Watershed Review (Issue 45:2), 2022 ; Querencia Press (Summer Quarterly Anthology), 2023 (PRINT) ; Eunoia Review, 2023
- ‘Nomadic’ – BRUISER, 2022
- ‘Do Not Publish This’ – BRUISER, 2023
- ‘My Unimaginary Friend’ – Clackamas Literary Review (Volume 27), 2023 (PRINT); Literally Stories, 2024
- ‘Selling’ – Roi Fanéant Press (Issue 53), 2023
- ‘Match Cut’ – Litro, 2023
- ‘Adam Grey Stole My Phone’ – Twenty-two Twenty-eight, 2024
* Published in the anthology Zawadi & Other Short Stories after being shortlisted for Ouen Press’ 2019 Short Story Competition
Culture Writing
Offscreen
- ‘Queen and Slim and Deconstructive Protest Cinema’ – October 2021
- ‘Love and Resistance in the Work of Barry Jenkins’ – October 2021
- ‘The Dialectics of Dance’ – February 2022
- ‘Fighting for Freedom, at War with Democracy’ – June 2022
- ‘Traumatised and Traumatising Performances: Men and Rose Plays Julie‘ – August 2022
- ‘Unsane and the Consequences of Gaslighting’ – July 2023
- ‘An Obsession with Obsession: Nordic Cinema, 2019-2022’ – April 2024
- ‘LFF 2020: Festival Preview’ – April 2021
- ‘LFF: 2021, A Festival Report’ – April 2022
- ‘The London Film Festival, 2022’ – November 2022
Vague Visages
- ‘The Great Unknown: Reading ‘Ferris Bueller’s Day Off’ Alongside Homer’s ‘Odyssey” – August 2020
- ‘Julia Ducournau’s ‘Titane’: Influence, (Sur)Realism and the Avant-Garde’ – October 2021
- ‘The Kendall-Shiv Opposition in ‘Succession’ Season 3′ – December 2021
- ‘Both the Sum and the Parts: Black Country, New Road’s ‘Ants from Up There” – March 2022
- ‘Finding Clarity in Claustrophobia: ‘Mass’ and ‘The Humans” – April 2022
- ”Better Call Saul’ and Mechanisms of Obsessional Neurosis’ – July 2022
- ‘The Enduring Legacy of LCD Soundsystem’ – September 2022
- ‘On Mimi Parker, ‘HEY WHAT’ and the Elevations of Low’ – November 2022
- ‘The Pervasive Injustices of ‘I May Destroy You” – January 2023
- ‘Weird Worlds: The Short Films of Ari Aster’ – May 2023
- ”We’re All Going to the World’s Fair’: Time, Loneliness and the Internet’ – June 2023
- ‘Films About Films’ – July 2023
- ‘A Refurbishment Project: ‘The Bear’ Season Two’ – August 2023
- ‘London Film Festival Review: Mia Hansen-Løve’s ‘One Fine Morning” – October 2022
- ‘London Film Festival Review: Noah Baumbach’s ‘White Noise” – October 2022
- ‘London Film Festival Review: Kitty Green’s ‘The Royal Hotel” – September 2023
- ‘London Film Festival Review: Hirokazu Koreeda’s ‘Monster” – October 2023
- ‘London Film Festival Review: Hayao Miyazaki’s ‘The Boy and the Heron” – October 2023
Other
- ‘Consciousness and Creativity in Pain and Glory‘ – Bright Wall/Dark Room, January 2020
- ‘Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT’ – Luma Quarterly, May 2020
- ‘Sacrifice in the Name of Documentary: Apollo 11 and For Sama‘ – Bright Lights Film Journal, August 2020
- ‘Infinite Jest and the Space of Solitude’ – The First Line, December 2020 (PRINT)
- ‘Erasure at Twenty’ – Overland, April 2021
- ‘What life on earth is for: animated films and the pandemic’ – Overland, June 2021
- ‘Where the grim chaos leads: Tao Lin’s Leave Society‘ – Overland, August 2021
- ‘The politics of the multiverse: simultaneity and trauma in Everything Everywhere All at Once‘ – Overland, June 2022
Academic Work
- ‘”New year, new data”: Percival Everett’s ‘Telephone’, Brandon Taylor’s ‘Real Life’, and the Future of the “Affective Turn”‘ – Alluvium, April 2022
- ‘Modernist Mapping and Post-postmodern Feeling: The Rhizomatic Framework of Zadie Smith’s White Teeth’ – Moveable Type, December 2022
- ‘Post-Postmodernism, the “Affective Turn”, and Inauthenticity’ – Humanities, January 2023
- ‘Digging Up the Past, Complicating the Present, and Damaging the Future: Post-Postmodernism and the Postracial in Percival Everett’s The Trees‘ – Humanities, August 2023
- ‘America’s Deserter: Forms of Racialised Mistreatment and Escaping the Need to Escape in Percival Everett’s American Desert‘ – Orbit: A Journal of American Literature, November 2023
George Oliver Kowalik 